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Print Length: 39 pages

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Publication Date: November 29, 2014

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Language: English

ASIN: B00QE5RHY2

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I was hoping for a little bit more. Most of the tips were common sense. I appreciated the advice, but would have liked more “unknown” tips or more detail.

I thank the author for sitting down and putting this quick, but very informative book together (I read it at work over lunch). I feel ready for my first cruise. Although I'm sure that there will be some bumps, I feel confident that they'll be fewer than had I not read this book. Thank you :-).

Great book! I'm taking my first cruise in a couple of months and don't know anything about it. This book is great. Tells how to plan, what to pack, motion sickness, how to save money...you name it, it covers it. I feel much more prepared for a first timer! Glad I got this book. Would recommend for anyone cruising for the their first time.

Very disappointed, poorly written ( wrong tenses, words, punctuation), nothing new, no real “pearls”, could get all the content free on the internet doing a little research......save your money.

really good advice and information, especially for the first time cruiser!

Product was as described.

This book has helped me with so many details about my first cruise that I would never have thought of on my own. It is incredibly easy to read and full of amasing tips to make the most of your cruise. I loved reading it and highly recommend everyone who plans to go on a cruise (especially first timers!) to read this book - it will make a huge difference to how much you enjoy your cruise! Awesome book - thanks Ben for writing it!

This was a short but very informative book. He seemed to hit all the important points to make your cruise the best

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File Size: 9288 KB

Print Length: 136 pages

Publisher: Human Kinetics, Inc.; 1 edition (March 28, 2013)

Publication Date: March 28, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00DBA12VM

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Download PDF British Virgin Islands Short Sailing Trip: Haiku Impressions with Photographs, by Amy Rose Herrick

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British Virgin Islands Short Sailing Trip: Haiku Impressions with Photographs, by Amy Rose Herrick

About the Author

Amy Rose Herrick launched Money With Amy in late 2014 to enable her to share her wisdom and expertise acquired in her 30-plus years of experience in the financial services field. She is a Chartered Financial Consultant (ChFC). Beginning in 1991 she expanded her professional expertise and ongoing licensing to include earning the title of Insurance Agent for Life, Disability, Critical Illness, Long Term Care and Air Ambulance coverage's. During the same time she completed a career change from corporate clients to exclusively serving the needs of individual and a small business based clientele. Not satisfied that she had all the planning tools needed to advise clients to the best of her ability in changing economic climates, in the early 90’s she took the necessary training and ongoing educational hours necessary to secure her ability as a tax professional too. Her articles have appeared in numerous publications. Amy accepted short term assignments for regular newspaper columns on specific items of public interest now and then in addition to her private practice demands. She was selected to contribute two chapters to books that were collaborative efforts between multiple professionals in 2007 and 2010. In addition to her writing and other business activities, Amy is a dynamic public speaker who is able to engage with her audiences by breaking down complex concepts into manageable ideas that are easily understood using custom designed presentations. Amy's planning expertise extends into situations that encompass corporate, individual and small business financial issues related to cash flow, debt structure, income tax reduction, charitable giving, business succession plans, mental or physical incapacity at any age, Life Insurance Settlements for unwanted policies and overall estate planning. Amy and her family relocated from the Midwest to call the beautiful island of St. Croix their family home in early 2011. Amy continues to serve a wide range of clients on the U.S. mainland coast to coast as well as clients residing in the US Virgin Islands. In her free time she enjoys traveling, photography and she has a flair for art.

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Product details

Paperback: 50 pages

Publisher: CreateSpace Independent Publishing Platform (July 4, 2015)

Language: English

ISBN-10: 1514835649

ISBN-13: 978-1514835647

Product Dimensions:

6 x 0.1 x 9 inches

Shipping Weight: 4.5 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,354,162 in Books (See Top 100 in Books)

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Free Download Change-Up: Mystery at the World Series (The Sports Beat, 4), by John Feinstein

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Change-Up: Mystery at the World Series (The Sports Beat, 4), by John Feinstein

About the Author

JOHN FEINSTEIN is the author of many bestselling books, including A Season on the Brink and A Good Walk Spoiled. His books for young readers offer a winning combination of sports, action, and intrigue, with Last Shot receiving the Edgar Allan Poe Award for best young adult mystery of the year. He lives in Potomac, Maryland, and Shelter Island, New York, with his family.

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Excerpt. © Reprinted by permission. All rights reserved.

1: SUDDEN VICTORY     Even though he was only fourteen years old, Stevie Thomas considered himself a veteran of sports victory celebrations. He had been to the Final Four, the Super Bowl, the NBA Finals, and the U.S. Open--in both tennis and golf. He had seen remarkable endings,miracle shots, and improbable last-second heroics.   But he hadn't seen anything quite like this. He was standing just outside the first-base dugout inside Nationals Park, the home stadium for the Washington Nationals, and even though the game had been over for several minutes, the noise was still so loud he couldn't hear anything Susan Carol Anderson was shouting in his ear.   "Mets . . . clubhouse . . . press box . . . ," he managed to make out over the din. Since she was starting to pick her way through the celebrating Nationals and the media swarm surrounding them, he guessed that she had told him that she was going to make her way to the clubhouse of the New York Mets and then meet him back in the press box. She was taking the harder job--talking to the players on a team that had just suffered a shocking defeat. His job was easier: talking to the winners.   The ending of the game had been stunning. With the National League Championship Series tied at three games all, both teams had sent their star pitchers out to pitch game seven: Johan Santana for the Mets, John Lannan for the Nationals. Both had pitched superbly, and the game had gone to the ninth inning tied at 1-1.   Nationals manager Manny Acta brought Joel Hanrahan, his closer, in to pitch the ninth, a bold move in a tie game. And it seemed to have backfired when Carlos Beltran hit a two-out, two-run home run to give the Mets a 3-1 lead. In came the Mets' closer, Francisco (K-Rod) Rodriguez, to get the last three outs needed to give the Mets the pennant.   He got two quick outs, and it wasn't looking good for the Nats when shortstop Cristian Guzman hit a weak ground ball. But somehow Mets all-star shortstop Jose Reyes booted it, allowing Guzman to make it safely to first base. Clearly upset and distracted by the error, Rodriguez then walked Ronnie Belliard, bringing Ryan Zimmerman, the Nationals' best hitter, to the plate.   Guzman began dancing off second base, stretching his lead each time Rodriguez looked back at him. Second baseman Luis Castillo kept flashing toward the bag, as if expecting a pickoff throw from Rodriguez. Sitting in the auxiliary press box, Stevie was wearing headphones that allowed him to hear the Fox telecast.   "Rodriguez and Castillo need to forget about Guzman," he heard Tim McCarver say. "Right now K-Rod has one job, and that's to get Zimmerman out."   "But if the Nats double-steal, the tying runs would both be in scoring position," play-by-play man Joe Buck said.   "True," McCarver said. "But I'm telling you, there is no way Guzman is risking making the last out of the season trying to steal third. He's not that much of a base stealer to begin with."   Rodriguez finally focused on the plate and threw a 97-mph fastball that Zimmerman just watched go by for strike one. Again Guzman danced off second base. This time Rodriguez whirled and did make a pickoff throw as Castillo darted in to take it. Guzmandove back in safely.   "That tells me Guzman has gotten inside K-Rod's head," McCarver said. "You don't risk a pickoff throw in this situation. The only man in the ballpark he should care about right now is Zimmerman."   Rodriguez threw another fastball, and Zimmerman fouled it straight back to the screen.   "That one was ninety-seven too," Buck said. "He doesn't seem too distracted."   "Zimmerman was about two inches from crushing that ball," McCarver said. "You see a batter foul a fastball straight back like that, it means he just missed it."   Rodriguez came to his set position again. Guzman was off the bag once more and Rodriguez stepped off the rubber. Everyone relaxed for a moment.   "Zimmerman has to look for a fastball here, doesn't he?" Buck said.   "Absolutely."   Rodriguez set again, checked Guzman one more time, and threw. Stevie glanced at the spot on the scoreboard that showed pitch speed, and saw 98. Rodriguez had thrown a fastball, and Zimmerman had in fact been looking fastball. This time he didn't miss it. He got it. He got all of it. The ball rose majestically into the air and sailed in the direction of the left-field fence. Mets left fielder Daniel Murphy never moved. The ball sailed way over the fence, deep into the night, and complete bedlam broke out in every corner of the stadium. The Nationals had won the game 4-3 and the series 4-3. Shockingly, they were going to the World Series.

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Product details

Age Range: 10 and up

Grade Level: 5 - 6

Lexile Measure: 0770 (What's this?)

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Series: The Sports Beat (Book 4)

Paperback: 336 pages

Publisher: Yearling; Reprint edition (May 25, 2010)

Language: English

ISBN-10: 0375847596

ISBN-13: 978-0375847592

Product Dimensions:

5.2 x 0.8 x 7.7 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#255,274 in Books (See Top 100 in Books)

it's ok

If I liked sports, I probably would have enjoyed it more. But it's a fun mystery if you're a middle-school reader who likes baseball.

Another masterpiece from John Feinstein. Purchased for my kids. Difficult to find age appropriate sports books for youth, but this one is right on their level. Both of my kids loved it. Will purchase more of John's book for the kids.

Fabulous book and series for kids who love sports. My 4th grader has read everybook in the series!

Good Story

My 13 year old sports fan has always loved Lupica's books. He has read most of them and we needed something new for him to read. He likes the "mystery" aspect of Feinstein's books.

This book was missing chapters and repeated chapters were in their place

I have taken to reading books that may be appropriate for my grandchildren. My first John Feinstein ---Change up was a great read even for grandma!! I have recommended to my grandsons and have now read several other books by John.

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Vassalord Volume 3

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Product details

Series: Vassalord (Book 3)

Paperback: 192 pages

Publisher: TokyoPop (September 1, 2009)

Language: English

ISBN-10: 1427817162

ISBN-13: 978-1427817167

Product Dimensions:

5.2 x 0.5 x 7.8 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#527,729 in Books (See Top 100 in Books)

Considering the almost overload of vampire-related media out there, Vassalord is a great take on the genre. The sexual tension between Rayflo and 'Cherry' is wonderful (as is the way they delight in tormenting and teasing each other), the artwork gorgeous, and we're beginning to delve more into Rayflo's past. There's also the developing mystery of how the new 'vampires' are being made and new characters being introduced. The series is more horror (with a good bit of gore) thrown in than straight BL (hence its publishing under TokyoPop), but it's always such a delight to 'read between the lines' with these boys.

I really love this story considering its a shounen ai. The stories development of the characters were nothing like i imagined but better, and with each volume it just keeps getting better.

Vassalord has been a favorite of mine since the first volume. I`m not all that much into Yaoi but this is just awsome. Rayflow is just too damn hot to resist. Yes its vampires but it is vampires done right. When I couldnt buy this at Anime North I went nuts trying to find it. Everywere it was unavailable so I decided to purchase online. My colection is complete. Until the fifth volume comes out that is. Love it.

Vassalord 3 is a massive gore festival of a manga, with some yaoi thrown in. It's confusing as hell, just like the first two volumes, but the hot men and hot blood-sucking scenes make it all worth it. I almost didn't buy this book since it took nearly a year for it come out since the last volume, but I'm really glad I did. This one is going right on my shelf next to my yaoi collection. I can't wait until volume 4 comes out!

Awesome series! I absolutely love these books and was thrilled to find I could buy them cheaper than in the store. It came quickly and was packaged securely and neatly. :D

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PDF Ebook Waiting for Godot - Bilingual: A Bilingual Edition, by Samuel Beckett S. E. Gontarski

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Review

“One of the true masterpieces of the century.” —Clive Barnes, The New York Times“One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perplexity; with phrases that come like a sharp stab of beauty and pain.”—The Times (London)“Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy.” —Stephen Spender“Reading Beckett for the first time is an experience like no other in modern literature.”—Paul Auster“[Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century.” —Christopher Isherwood, The New York Times

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About the Author

Samuel Beckett (1906-1989), one of the leading literary and dramatic figures of the twentieth century, was born in Foxrock, Ireland and attended Trinity University in Dublin. In 1928, he visited Paris for the first time and fell in with a number of avant-garde writers and artists, including James Joyce. In 1937, he settled in Paris permanently. Beckett wrote in both English and French, though his best-known works are mostly in the latter language. A prolific writer of novels, short stories, and poetry, he is remembered principally for his works for the theater, which belong to the tradition of the Theater of the Absurd and are characterized by their minimalist approach, stripping drama to its barest elements. In 1969, Beckett was awarded the Nobel Prize in Literature and commended for having 'transformed the destitution of man into his exaltation.' Beckett died in Paris in 1989.

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Product details

Paperback: 368 pages

Publisher: Grove Press; Bilingual, Reprint edition (July 13, 2010)

Language: English

ISBN-10: 0802144632

ISBN-13: 978-0802144638

Product Dimensions:

5.2 x 1 x 8.5 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

313 customer reviews

Amazon Best Sellers Rank:

#493,114 in Books (See Top 100 in Books)

After reading the screenplay of Waiting for Godot I did many things. I laughed, I scratched my head, I wondered who this Godot was and I tried to find the elusive plot and meaning of it all. In all, maybe it was Mr. Beckett's primary intention to have all the theater goers go mad! The essence of this two act play revolves around two longtime friends by the names of Vladimir and Estragon who are in search of a character called Godot. The reader or theater goer never really knows who Godot is. Is it the search for God? Could be but who knows. Godot could represent anyone or anything. Beckett gives the impression that Vladimir and Estragon are hobo-like characters who wear bowler's hats and carry on a most nonsensical and repetitious continuing conversation. In fact most of their dialogue is very much like Abbot and Costello's Who's On First. The dialogue goes in circles much like Abbot and Costello. Also another comedy team comes to mind as I read on in what can only be called a farce of a play dominated by absurd allusions. As Vladimir and Estragon continue with their absurd conversations along comes two other characters which add more speculation into what seems to be like the rabbit in Alice In Wonderland added confusion and wonderment in that rather absurd tale. These characters named Pozzo and Lucky add their own comedic scheme to this rather confusing and jumbled tale. When the seemingly intellectually challenged Lucky, who has the IQ of Rocky Balboa, breaks into an outright intellectual diatribe it made me laugh so hard like I remember when I watched old Laurel and Hardy routines as a young boy. The play's meaning and plot is an open book. It can mean anything to anybody. It is full of symbolism and begs for a solid debate. To me it represents life and that life in and of itself at times lacks meaning, shows comedy and can be disappointing and hard to really understand. After seeing this play on February 2, 2014 on Broadway I can compare the play to one TV Series that being "Seinfeld" and the classic movie titled "Groundhog's Day." These are the current comparisons but in the end this play represents a mystery for us to interpret. I'll stick with Groundhog's Day!!! For some reason this play should probably be read and seen multiple times to gain what was in Beckett's mind. I can see why this play is considered a classic. It has all the elements of what the word classic is all about.

"Waiting for Godot" explores Existential philosophy in the form of an absurd, random play. Samuel Beckett uses the easy-to-understand format of two men waiting for their companion Godot to allude to the human condition through Existentialism. The play lacks any true plot (other than the waiting) and there isn't much character development (Vladimir and Estragon wait for Godot despite the fact that he stands them up every day). And while that would seem like a bad thing - all this waiting with zero outcome - isn't that exactly what we spend our whole lives doing? We wait in line, in traffic, for work to end, for a vacation, etc. Stunningly close to our everyday lives, "Waiting for Godot" is a maddening and confusing play that rings true for every reader

First, a word about editions. This edition of WAITING FOR GODOT, though with occasional changes of covers, has long been the standard edition of the play in English. It features Beckett's translation of the play in English, and nothing else. But in more recent copies of the play, Grove has inserted a card noting that in June of 2011 this edition will be replaced by a two one, which will feature the French original alongside Beckett's translation into English. Right now this edition is still available for a fraction of the cost of the new bilingual edition, but at some point soon it will apparently go out of print, and only the new edition of Waiting for Godot - Bilingual: A Bilingual Edition will be available. This new edition will also feature an introduction, which the current edition lacks.Too many people forget that this is a PLAY, i.e., something that provides the words for actors on a stage. It is not primarily intended to be read in a book. Unfortunately, this is how most people experience the play, therefore depriving them of most of elements of the performance. Therefore, I am going to make a recommendation for a way of increasing the richness of your performance of the play.Though an Irishman, Beckett originally wrote the play - as he did with almost all of his works - in French first and then later translated them himself into English (in contrast, Vladimir Nabokov after moving to the United States wrote his books in English, and then translated them into French and Russian, his wife doing the translations into German). The play was originally performed in Paris, while the English-language premiere took place in Ireland. The American debut was not on Broadway, but in Miami, Florida, with Bert Lahr and Tom Ewell.Instead of merely reading the play, read it while listening to a recording of the original Broadway production of Waiting For Godot, which starred Bert Lahr (best known as the Cowardly Lion in THE WIZARD OF OZ) as Estragon and E. G. Marshall as Vladimir. While you still wouldn't get the visual dimension of the play, hearing the actors bring the characters to life adds new layers to the play that you would never get merely by reading it. Lahr was an unexpected choice to star in the play, given that he wasn't an actor so much as a vaudevillian comedian. His acting style was too over-the-top to be convincing in film (though perfect for the Cowardly Lion); I read somewhere - I don't recall where - that he was more like a cartoon character incarnated than a human. He nonetheless gives a marvelous performance here. Marshall was one of the most distinguished stage actors of his generation and more than holds his own with Lahr while acting as more the straight man.If you listen to the recording while reading the book, the performance that will most come to life is that of Lucky. I'd read the play 2 or 3 times over the years and seen it once on the stage in which I now realize was a rather tame production, but had not really paid much attention to Lucky. His main contribution was a single, very long speech (not terribly unlike the long speech given by The Fireman in Ionesco's THE BALD SOPRANO in terms of length and its absurdity - a speech that I gave in a college performance of the play). Read on the page it can seem interesting and silly, but hearing the actor (though it wasn't indicated in the recording, Alvin Epstein played Lucky in the original Broadway production and it is almost certainly him here) perform the speech is revelatory. He doesn't say the words so much as shriek, yelp, gasp, bark, and screech them. Hearing Lucky's speech performed by a talented actor transforms your appreciation of both the speech and the play.This is one of the truly great works of the 20th Century, one of the key plays making up what Martin Esslin dubbed The Theatre of the Absurd, but it is not best experienced by reading it on the page. Try to see it performed instead, or at bare minimum in the Bert Lahr/E. G. Marshall version noted above. You wouldn't think that you had experienced a Bob Dylan song merely by reading the lyrics, and so also you won't experience WAITING FOR GODOT unless you hear or see it performed.

Beckett's "Godot" is probably one of the most amazing and thought-provoking plays out there! Anyone interested in theater simply must read it! It's dark, it's depressing, it's funny, it's thought-provoking, and it belongs to the classics of existentialist theater. It's a phenomenal read, filled with eerie repetition as the two main characters simply cannot stop waiting for the mysterious Godot - and while waiting seems endlessly pointless, they are unable to stop waiting and leave.Yet while I think this is a spectacular play (one of my personal favorites) it's also a highly intellectual one, so do not pick it up if all you want is a light melodrama.

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File Size: 760 KB

Print Length: 232 pages

Publisher: The Crossroad Publishing Company (September 1, 2005)

Publication Date: September 1, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B009REXYOE

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I come to this work as a non-Catholic. I've listened to Timothy Gallagher on YouTube. He has a whole series on the work of St Ignatius. I wish that I had exposure to these rules of spiritual discernment of spirits. It would have made my experience with the Spiritual Path more clear and less flying by the seat of my pants and my heart for grace. Gallagher beings these early yet contemporary teaching on spiritual discernment into contemporary language. But more importantly, he brings to them a clarity of purpose and knowledge of one who is clearly doing his work and staying live to the subject. I especially like the Reader's guide, which I usually dislike in many writings. This has the power to underscore what needs to be underscored and applied as you actually live, not as you want to be seen by the teacher.

Discernment of Spirits is good book for anyone looking to learn about Ignatius' 14 rules on the discernment spirits. Each chapter is dedicated to discussing each rule. First the rule is stated as it was written by Ignatius and then the rule is discussed in a practical sense. Each rule is further illustrated by an example or two to provide a deeper clarity into how the rule can apply to the discerner's life. The only drawback is that this reading this book is similar to reading a manual, which leaves it a little dry and slow at times. I would recommend this book to anyone who wishes to learn more about the discernment of spirits. It's worth the price, but you probably won't read it more than once. Rather you may end up using it as a reference source after your first reading.

I would recommend this book to EVERYONE!!!! I wish I had read it many years ago. I am on my second read through it. I hope to read it a 3rd time too!!! it has a fairy high level vocabulary level though... I have had to look up a lot of words to find out what they mean...

Nice to read Ignatius' rules of Spiritual Discernment interpreted for modern language and usage. I had read his Spiritual Exercises, and got lost in the time and distance of language and times. Since so many use his writings for retreats, direction and spiritual direction, it is good for me as a spiritual director and man of prayer to be versed in his methods along with so many of the other masters on the life of prayer in the Christian perspective.

The name of the book "The Discernment of Spirits" is also the name of a seminar given by Father Timothy M. Gallagher, O.M.V. throughout the country. I attended one of these in Boston. I helped organize one in New York after also reading this book. In both, Father Gallagher described how Saint Ignatius of Loyola was able to judge his experiences and tell apart those which he believed originating from "the enemy" and those from the "good spirit." Becoming "aware" of differing experiences, "worldly" and "sacred," both causing delight, both taking a strong "hold on his heart," he came to recognize, little by little, whether these things that moved him were from the "bad spirit" or from "God." So absorbed was he in his thinking, that it took a special moment of grace, where "his eyes were opened a little" and he was able to see and marvel at the difference, where the one experience would leave him "sad" and the other "happy." From his "awareness," he was able to come to an "understanding" of what was happening. From this, he was able learn to "take action," accepting the "sacred" as from God and the "worldly" as from "the enemy." Saint Ignatius was later able to describe the actions of the "bad spirit" as ones that "bite, sadden, and place obstacles, disquieting with false reasons, so that the person may not go forward." On the contrary, he was able to see the movement of God as giving "courage and strength, consolations, tears, inspirations and quiet, easing and taking away all obstacles, so that the person may go forward in doing good." Father Gallagher gives these seminars, and no doubt wrote this book, as "a help" from the teachings of Saint Ignatius, "for everyday living." He said this "applied to persons of every walk of life and vocation." Accordingly, he used examples from the experiences of everyday people. Growing in the "Spiritual Life" can be exhilarating. It can also have its difficulties. If we sincerely attempt to advance spiritually, i.e., to seek union with God, Father Benedict Groeschel, C.F.R., in his book "Spiritual Passages," insists that spiritual direction (of some kind) is necessary if we are to avoid dangers present in living and advancing in the spiritual life. For instance, he tells us that as we grow in the spiritual life, "we expose more and more of our real being with ... its power and potential for good or ill." Because personal honesty and consistency is necessary on our part, the infused virtues (faith, hope, and charity), and their growth, become extremely important and necessary for our own "inner balance" as we look into our own soul and the hidden unconscious, which may contain very disturbing elements. Using a quote from Archbishop Fénelon, he gives us a look at how our dark side can appear while advancing spiritually:------------------------------------------------------------------ As light increases, we see ourselves to be worse than we thought. We are amazed at our former blindness as we see issuing forth from the depths of our heart a whole swarm of shameful feelings, like filthy reptiles crawling from a hidden cave. We never could have believed that we harbored such things, and we stand aghast as we watch them gradually appear. But we must be neither amazed nor disheartened. We are not worse than we were; on the contrary, we are better. But while our faults diminish, the light by which we see them waxes brighter, and we are filled with horror. Bear in mind, for your own comfort, that we only perceive our malady when the cure begins. So long as there is no sign of cure, we are unconscious of the depth of our disease; we are in a state of blind presumption and hardness; the prey of self-delusion. While we go with the stream, we are unconscious of its rapid course; but when we begin to stem it ever so little, it makes itself felt.------------------------------------------------------------------ We, therefore, need "helps." We need the wisdom of experience--of a mentor--to help us through some of what can be very the confusing aspects of growth. Father Benedict insists that, "when the dark recesses of our spirit become manifest, we especially need at least a friend to share our fears, and assure us that ours is not an uncommon experience." Although a personal Spiritual Director might be the answer here, not everyone has the good fortune of finding and having access to one. There are other ways, however, that this wisdom can be sought, found, and put to use. I believe that Father Gallagher has done a great service to the Church and to those who are striving to practice the Spiritual Life. In this book we come to know the mind of Saint Ignatius of Loyola and how he learned that he could put his own inward experiences to the test to see if they were coming from God or not--to resolve his own perplexities. He taught this to his contemporary followers. He can teach us too. He can be that friend that will assure us that ours is not an uncommon experience. He can speak to us and teach us through this book which Father Gallagher so masterfully put together for us. Bottom line: if we can discern God's action in our lives, we can learn to do God's will!

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As one of the books that have actually been created, will be just various with the previous book variation. It includes the straightforward words that can be reviewed by all aspects. When you have to recognize even more concerning the writer, you can read the bibliography of the writer. It will certainly assist you to earn certain regarding this publication that you will certainly obtain as not just recommendation yet likewise as checking out resource.






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Print Length: 384 pages

Publisher: Basic Books (May 21, 2019)

Publication Date: May 21, 2019

Language: English

ASIN: B07KW5F7R9

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Download PDF Beach House for Rent (The Beach House), by Mary Alice Monroe

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Beach House for Rent (The Beach House), by Mary Alice Monroe

Beach House for Rent (The Beach House), by Mary Alice Monroe


Beach House for Rent (The Beach House), by Mary Alice Monroe


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Beach House for Rent (The Beach House), by Mary Alice Monroe

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"Reading this novel feels like a long, luxurious trip to the beach. Mary Alice Monroe writes gorgeously, with authority and tenderness, about the natural world and its power to inspire, transport, and to heal. Readers will love this story of two unforgettable women–one reeling from an unexpected tragedy, the other drawn into a daring and passionate new love." (--#1 New York Times bestselling author Susan Wiggs)"Mary Alice Monroe understands that a house is never just a house. As we revisit The Beach House we are immersed in the heartbeat and pulse of her South Carolina Lowcountry as never before. Monroe’s singular ability to blend the natural world with the emotional world allows for a gorgeous novel, wondrously both bittersweet and also life-affirming. The story reveals its secrets with shorebirds and human hearts at the center of its graceful axis. No one else tells an insightful and powerful story quite like Mary Alice Monroe—and in BEACH HOUSE FOR RENT, you won’t be able to stop reading--for even that glass of sweet tea.” (--New York Times bestselling author Patti Callahan Henry)“Monroe continues her series featuring women who return to Primrose for comfort, healing, and strength. However, the books can stand alone…[Readers] will delight in this latest novel featuring women who need the healing power of nature.” (Library Journal, starred review)“Monroe’s newest installation in her Beach House series also serves as stand-alone novel, but faithful readers will recognize her ability to blend uniquely human stories with pressing environmental issues. Fans of Mary Kay Andrews and Mary Simses will adore this novel of simple pleasures, shifting priorities, and the power of self-discovery. Tender and inspiring with a touch of romance, it's just the thing to fill an empty beach bag.” (Booklist)"Her hallmark knack for plumbing the inner depths of her characters and connecting them with one another in ways that feel perfectly organic – all the while weaving in those environmental issues near and dear to her heart – is a winning formula that’s made Monroe one of the most beloved authors in the nation and a well-known champion of conservation causes." (SCNow)“…a charming and poignant story ideal for Summer reading.”  (Pop Sugar)“…a skilled storyteller who never lets her readers down…she makes Isle of Palms come enticingly alive, calling all readers to this garden of paradise which is just ripe for a visit. Mary Alice Monroe creates characters that you wish/hope could be real people so that they could become your friends. And you feel if you could visit the Lowcountry they would be there waiting.” (Huffington Post)“Beach House for Rent is choice property.” (Star News)

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About the Author

Mary Alice Monroe is the New York Times bestselling author of more than twenty books, including the Beach House series: The Beach House, Beach House Memories, Swimming Lessons, Beach House for Rent, and Beach House Reunion. She is a 2018 Inductee into the South Carolina Academy of Authors’ Hall of Fame, and her books have received numerous awards, including the 2008 South Carolina Center for the Book Award for Writing, the 2014 South Carolina Award for Literary Excellence, the 2015 SW Florida Author of Distinction Award, the RT Lifetime Achievement Award, the International Book Award for Green Fiction, and the 2017 Southern Book Prize for Fiction. Her bestselling novel The Beach House is also a Hallmark Hall of Fame movie. An active conservationist, she lives in the lowcountry of South Carolina. Visit her at MaryAliceMonroe.com and at Facebook.com/MaryAliceMonroe.

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Product details

Series: The Beach House (Book 4)

Hardcover: 416 pages

Publisher: Gallery Books; First Edition edition (June 20, 2017)

Language: English

ISBN-10: 150112546X

ISBN-13: 978-1501125461

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

548 customer reviews

Amazon Best Sellers Rank:

#107,732 in Books (See Top 100 in Books)

....and yet another more than great novel by Mary Alice Monroe. At any age this series hits the core of being a women, and teaches us strength, how to endure what life deals us, and how to cope and heal. So much is written into her works as lessons in life, whether in the descriptions of the environment, her uncanny way of making us aware of the importance of preservation of our wildlife, and in our experiences as we all age. My most important contribution to MAM is to make people who have not read her works, make them aware. And that, I have accomplished many times. In BEACH HOUSE FOR RENT, the most poignant part for me, was toward the end when the loggerhead appeared near Lovie's dune, a simply amazing view of life. I will keep that lesson with me for a very long time. In conclusion, the story is wonderful, the lessons important and beautiful. Once again, Mary Alice Monroe, thank you!!!

Once again, this book delivers a powerful message about women at their most vulnerable who embrace their strength and resilience, and claim the life they were meant to live. The unique setting at the shores of an island immersed in turtles, birds, and dolphins only enhances the power and beauty of this story. Finally the triumph of love above all is simply beautiful. Loved it!

Mary Alice Monroe's loyal readers become reunited with one of their favorite characters, Cara Rutledge, in Beach House For Rent, as they become acquainted with a new one, Heather Wyatt. Both women spend one incredible summer together on Isle of Palms sharing Lovie's beloved beach house Primrose Cottage where each one learns how to overcome seemingly overwhelming life obstacles.Cara picks herself up from a dark abyss with the help of friends and family to regain her former strength and tenacity. Her namesake, the loggerhead turtle, plays a role in her recovery, as does her beloved mother Lovie whose spirit wanders the house at night.Heather overcomes her weakness, social anxiety, and emerges as a beautiful butterfly from the cocoon with the help of Cara, her new friends, and her first love, Bo. Readers learn about the plight of the shorebirds whose numbers decrease each year through the eyes of Heather and Bo. Heather, a commissioned artist, came to Isle of Palms to paint shorebirds for postage stamps. Her artistic descriptions of the waterfowl paint vivid portraits of her beloved and endangered birds. Lovie makes appearances to Heather as well in her dreams. By the end of the novel, Heather has transformed from a shy, insecure young woman to a more confident, outgoing, more mature one who has found her voice at last.

This is my new favorite summer book! IMary Alice Monroe's books teach us about marine conservation through complex and interesting characters set on the southern coast. Once you open her books you are in for a treat. This series, as well as the summer girls series, takes you into the world of multifaceted, strong, likeable women who encounter life problems and set about meeting the challenges with grace. The characters will stay with you long after you finish the book. The best part is that my grown daughter who is an environmental scientist and I can share these stories and enjoy conversing about the happenings in their lives-and the very real challenges that exist for marine life and these characters. My advice: Grab the book, snuggle up in a comfortable spot and let the waves roll in and out as you spend some time at Primrose Cottage. You will not be disappointed. Happy reading and happy summer!

Oh how I've missed you, these characters of mine. I really feel as tho these characters are friends and family. "Beach House for Rent" is book #4 in a lowcountry series that is rich with characters, scenery, relationships, heartache and love. This ongoing saga is great for laying back with a tall glass of tea and allowing the story to envelop you. If you are not on the beach, these books will definitely transport you there.

The Beach House series is my favorite Mary Alice Monroe book series. Just when I think she can't get any better, she delivers yet another wonderful book. Beach House for Rent was a fast and highly entertaining read. Her heartwarming characters take the readers on a journey as they plod through life trying to make sense of why things happen. Mary Alice Monroe is an amazing storyteller. She weaves the fragility of our endangered sea animals and the environment throughout this book series making the books not only entertaining, but also informative. I'm ready for the next book in the series!

Mary Alice Monroe is my favorite writer and this book did not disappoint. From her first few lines, I felt myself transported to a place I would love to be with people I would love to know. One of my favorite things the author does is teach the reader something about nature. While continuing the story of Lovie and the sea turtle team, she introduces shore birds and broadens our knowledge of nature once again. I've read all her books and eagerly await the next.

I was Blown away at yet another Brilliant book and with a twist that I did not expect. This book, while sad in parts, was also a Wonderful way to see how the Human Strength, Growth and Perserverence can help us work through personal struggles. The awareness about anxieties I feel are an added bonus to her Heartfelt stories . I Highly recommend this book and All Mary Alice Monroe books, you will fall in love with her new characters, almost feel the ocean breeze, smile at the familiarity of the beach house, the Turtles, the ecological insight and Celebrate the Residents we love .Im Hopeful and Excited for another book in this series.

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Healing the Shame that Binds You (Recovery Classics), by John Bradshaw

Healing the Shame that Binds You (Recovery Classics), by John Bradshaw


Healing the Shame that Binds You (Recovery Classics), by John Bradshaw


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Healing the Shame that Binds You (Recovery Classics), by John Bradshaw

About the Author

John Bradshaw is a counselor, speaker and one of the leading voices of the recovery movement, especially inner child and family issues. His classic books include Healing the Shame that Binds You (1.3 million copies sold), Bradshaw on: The Family (1.2 million copies sold) and Homecoming (3 million copies sold).

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PART I The Problem―Spiritual Bankruptcy     We have no imagination for Evil, but Evil has us in its grip. ―C. G. Jung Introduction: Shame as Demonic (The Internalization Process)     As I've delved deeper into the destructive power of toxic shame, I've come to see that it directly touches the age-old theological and metaphysical discussion generally referred to as the problem of evil. The problem of evil may be more accurately described as the mystery of evil. No one has ever explained the existence of evil in the world. Centuries ago in the Judeo-Christian West, evil was considered the domain of the Devil, or Satan, the fallen angel. Biblical scholars tell us that the idea of a purely evil being like the Devil or Satan was a late development in the Bible. In the book of Job, Satan was the heavenly district attorney whose job it was to test the faith of those who, like Job, were specially blessed.     During the Persian conquest of the Israelites, the Satan of Job became fused with the Zoroastrian dualistic theology adopted by the Persians, where two opposing forces, one of good, Ahura Mazda, the Supreme Creator deity, was in a constant battle with Ahriman, the absolute god of evil. This polarized dualism was present in the theology of the Essenes and took hold in Christianity where God and his Son Jesus were in constant battle with the highest fallen angel, Satan, for human souls. This dualism persists today only in fundamentalist religions (Muslim terrorists, the Taliban, the extreme Christian Right and a major part of evangelical Christianity).     The figure of Satan and the fires of hell have been demythologized by modern Christian biblical scholars, theologians and ­philosophers.     The mystery of evil has not been dismissed by the demythologizing of the Devil. Rather, it has been intensified in the twentieth century by two world wars, Nazism, Stalinism, the genocidal regime of the Khmer Rouge in Cambodia, and the heinous and ruthless extermination of Tibetans and Tibetan Buddhism by Pol Pot. These reigns of evil form what has been called a collective shadow, and it has been shown how naïve and unconscious the people of the world have been in relation to these evils.     The denial of evil seems to be a learned behavior. The idea of evil is always subject to denial as a coping mechanism.     Evil is real and is a permanent part of the human condition. 'To deny that evil is a permanent affliction of humankind,' says the philosopher Ernst Becker in his book Escape from Evil, 'is perhaps the most dangerous kind of thinking.' He goes on to suggest that in denying evil, humans have heaped evil on the world. Historically, great misfortunes have resulted from humans, blinded by the full reality of evil, thinking they were doing good but dispensing miseries far worse than the evil they thought to eradicate. The Crusades during the Middle Ages and the Vietnam War are ­examples that come to mind.     While demons, Satan and hellfire have been demythologized by any critically thinking person, the awesome collective power of evil remains. Many theologiams and psychologists refer to evil as the demonic in human life. They call us to personal wholeness and self-awareness, especially in relation to our own toxic shame or shadow, which goes unconscious and in hiding because it is so painful to bear. These men warn against duality and polarization. 'We must beware of thinking of Good and Evil as absolute opposites,' writes Carl Jung. Good and evil are potentials in every human being; they are halves of a paradoxical whole. Each represents a judgment, and 'we cannot believe that we will always judge rightly.'     Nothing can spare us the torment of ethical decision. In the past, prior to the patriarchies of Hitler, Stalin and Pol Pot, it was believed that moral evaluation was built and founded on the certitude of a moral code that pretended to know exactly what is good and what is evil. But now we know how any patriarchy, even religious ones, can make cruel and violent decisions. Ethical decision is an uncertain and ultimately a creative act. My new book on moral intelligence calls these patriarchies 'cultures of obedience,' and presents an ethics of virtues as a way to avoid such moral totalism. The Jews who killed their Nazi guards or SS troopers coming to search their homes are now considered ethically good, no matter what the absolutist moral code says about killing. There is a structure of evil that transcends the ­malice of any single individual. The Augustinian priest Gregory Baum was the man I first heard call it 'the demonic.'     It can begin with the best of intentions, with a sincere belief that one is doing good and fighting to eradicate evil, as in the Vietnam War―but it ends with heinous evil. 'Life consists of achieving Good, not apart from Evil, but in spite of it,' says the psychologist Rollo May. There is no such thing as pure good in human affairs. Those who claim it are seriously deluded and will likely be the next perpetrators of evil.     As I pointed out in the preface to this revised edition, the affect shame has the potential for the depths of human evil or the heights of human good. In this regard shame is demonic. 'The daimonic,' says the psychologist Steven A. Diamond, 'is any natural function which has the power to take over the whole person.' Shame is a natural feeling that, when allowed to function well, monitors a person's sense of excitement or pleasure. But when the feeling of shame is violated by a coercive and perfectionistic religion and culture―especially by shame-based source figures who mediate religion and culture―it becomes an all-embracing identity. A person with internalized shame believes he is inherently flawed, inferior and defective. Such a feeling is so painful that defending scripts (or strategies) are developed to cover it up. These scripts are the roots of violence, criminality, war and all forms of addiction.     What I'll mainly describe in the first part of this book is how the affect shame can become the source of self-loathing, hatred of others, cruelty, violence, brutality, prejudice and all forms of destructive addictions. As an internalized identity, toxic shame is one of the major sources of the demonic in human life.       1 The Healthy Faces of Shame (HDL Shame)   Everyone needs a sense of shame, but no one needs to feel ashamed. ―Frederick Nietzsche       Because of its preverbal origins, shame is difficult to define. It is a healthy human feeling that can become a true sickness of the soul. Just as there are two kinds of cholesterol, HDL (healthy) and LDL (toxic), so also are there two forms of shame: innate shame and toxic/life-destroying shame. When shame is toxic, it is an excruciatingly internal experience of unexpected exposure. It is a deep cut felt primarily from the inside. It divides us from ourselves and from others. When our feeling of shame becomes toxic shame, we disown ourselves. And this disowning demands a cover-up. Toxic shame parades in many garbs and get-ups. It loves darkness and secretiveness. It is the dark, secret aspect of shame that has evaded our study.     Because toxic shame stays in hiding and covers itself up, we have to track it down by learning to recognize its many faces and its many distracting behavioral cover-ups. SHAME AS A HEALTHY HUMAN FEELING     The idea of shame as healthy seems foreign to English-speaking people because we have only one word for shame in English. To my knowledge, most other languages have at least two words for shame (see Figure 1.1).   FIGURE 1.1 The Languages of Shame               DISCRETION                             DISGRACE             Before an Action                         After an Action               HDL SHAME                            LDL SHAME       Latin         Pudor                            Latin         Foedus                     Verecundia                                    Macula       Greek       Entrope                          Greek       Aischyne                     Aidos                                                   French      Pudeur                           French      Honte       German    Scham                           German    Schande     ANnibale POCATERRA     The earliest treatise on shame was written by Annnibale Pocaterra, born in 1562. My awareness of Pocaterra's book, Two Dialogues on Shame, came from Donald Nathanson's comprehensive book Shame and Pride. According to Nathanson, Pocaterra wrote his book on shame at age thirty. His book was the only scholarly work on shame until Darwin wrote about it three hundred years later. Pocaterra died a few months after publishing his book. Only thirty-eight copies are known to exist today. Nathanson owns one of them, and I'm indebted to him for what follows (see Shame and Pride, pages 443–445).     In the beginning of his book, Pocaterra tells us that 'in the end shame is a good thing, a part of everyday existence.' Shame, according to Pocaterra, makes us timorous, humble and contrite and causes outrage against the self.     When we are attacked by shame, Pocaterra says we 'would like nothing better than to run and hide from the eyes of the world.' He also describes shame as the 'fear of infamy,' which can lead a person to attack his enemy with passion. Shame is thus capable of both cowardice and bravery. Long before Silvan Tomkins's treatise on shame, Pocaterra posited that our emotions are innate and that 'they are only good or evil as the end to which they are used.' There is an innate and a learned component to all emotion. 'Therefore,' Pocaterra writes, 'there must be two shames, one natural and free from awareness and the other acquired.'     Pocaterra understood shame to be our teacher. He thought the shame of children was like a seed that will become a small plant in youth and leads to virtue at maturity. Pocaterra looked at blushing as the external sign of shame and believed that blushing was both the recognition of having made a mistake as well as the desire to make amends. Three hundred years later Darwin would posit blushing as that which distinguishes us from all other animals. Darwin knew that the mother of the blush was shame. For Darwin, shame defines our essential humanity. Silvan Tomkins views shame as an innate feeling that limits our experience of interest, curiosity and pleasure. SHAME AS PERMISSION TO BE HUMAN     Healthy shame lets us know that we are limited. It tells us that to be human is to be limited. Actually, humans are essentially limited. Not one of us has, or can ever have, unlimited power. The unlimited power that many modern gurus offer is false hope. Their programs calling us to unlimited power have made them rich, not us. They touch our false selves and tap our toxic shame. We humans are finite, 'perfectly imperfect.' Limitation is our essential nature. Grave problems result from refusing to accept our limits.     Healthy shame is an emotion that teaches us about our limits. Like all emotions, shame moves us to get our basic needs met. EGO BOUNDARIES     One of our basic needs is structure. We ensure our structure by developing a boundary system within which we safely operate. Structure gives our lives form. Boundaries offer us safety and allow more efficient use of energy. There is an old joke about the man who 'got on his horse and rode off in all directions.' Without boundaries we have no limits and are easily ­confused. We go this way and that, wasting a lot of energy. We lose our way or become addicted because we don't know when to stop; we don't know how to say no.     Healthy shame keeps us grounded. It is a yellow light, warning us of our essential limitations. Healthy shame is the basic metaphysical boundary for human beings. It is the emotional energy that signals us that we are not God―that we will make mistakes, that we need help. Healthy shame gives us permission to be human.     Healthy shame is part of every human's personal power. It allows us to know our limits, and thus to use our energy more effectively. We have better direction when we know our limits. We do not waste ourselves on goals we cannot reach or on things we cannot change. Healthy shame allows our energy to be integrated rather than diffused. THE DEVELOPMENTAL STAGE OF HEALTHY (HDL) SHAME     Figure 1.2 gives an overview of how the feeling of shame expands and grows over our lifetime. The chart is epigenetic, meaning that each stage builds upon and retains the previous stage.     We need to know from the beginning that we can trust the world. The world first comes to us in the form of our primary caregivers. We need to know that we can count on someone to be there for us in a humanly predictable manner. If we had a caregiver who was mostly predictable, and who touched us and mirrored all our behaviors, we developed a sense of basic trust. When security and trust are present, we begin to develop an interpersonal bond, which forms a bridge of empathic mutuality. Such a bridge is crucial for the development of self-worth. The only way a child can develop a sense of self is through a relationship with another. We are 'we' before we are 'I.'     In this earliest stage of life, we can only know ourselves in the mirroring eyes of our primary caregivers.   FIGURE 1.2 Developmental Stages of Healthy (HDL) Shame   Transcendence             -Shame as wisdom, knowing what is valuable and what is not worth your time.                                    Older Age                                    -Shame as the experience of the numinous sacred holy & knowing a higher power. Shame as the source and safeguard of spirituality. Inter-                     -Adult dependence        Experience of life's limits―suffering and death.                                    -Shame as knowing you don't know it all―openness to novelty/creativity.                                    Young Adult                                    -New secure attachment figure―love as exposing your vulnerable self. Shame as modesty. independence    Puberty                                    -Shame experienced as limits to self-identity.             -Shame limits mental curiosity―studiasitas (temperance of the mind).                                    Puberty                                    -Emergence of the sex drive experienced as awesome. Healthy shame monitors sex drive. Shame is dominant in peer group acceptance.                                    8–Puberty                                    -Shame as inferiority experienced as limits to one's abilities―social shame related to ethnicity, gender, status.                                    8–Puberty                                    -Shame as embarassment coming from making mistakes, especially neighborhood social play―juvenile sex play―social shame as related to belonging.                                    3.5–8 Years                                    -guilt as moral shame, the internalized parental rules and voices that form conscience. Early sexual curiosity―manners and modesty. counter-              18 Months–3.5 Years dependence        -full affect of shame experienced as limits put on child's autonomous need to separate and do things his or her own way.                                    6–18 Months                                    -Shame as limits to curiosity and interest―when children get into trouble they often hide their eyes. interpersonal  6 Months bridge                    Once securely attached―shame as shyness appears as a response established          to being exposed to strange faces.codependence     THE INTERPERSONAL BRIDGE     The relationship between child and caregiver gradually evolves out of ­reciprocal interest, along with shared experiences of trust. Actually, trust is fostered by the fact that we come to expect and rely on the mutuality of response. As trust grows, an emotional bond is formed. The emotional bond allows the child to risk venturing out to explore the world. This bond becomes an interpersonal bridge between child and caregiver. The bridge is the foundation for mutual growth and understanding. The interpersonal bridge is strengthened by certain experiences we have come to accept and depend on. The other person, our primary caregiver, becomes significant in the sense that that person's love, respect and care for us really matter. We allow ourselves to be vulnerable in that we allow ourselves to need the other person. SHAME AS SHYNESS     Once basic trust has been established, the child's feeling of shame emerges. The first appearance of the feeling of shame usually occurs at about six months. At that age, a child has become familiar with his or her mother's face. When a strange face (maybe a relative seeing the baby for the first time) appears, the infant experiences shame as shyness in looking at the strange face.     Some children are temperamentally shy and withdrawn. But all of us experience some shyness in the presence of what is unfamiliar. SHAME AS A LIMIT TO CURIOSITY:THE DEVELOPMENT OF HEALTHY SHAME SIX MONTHS TO EIGHTEEN MONTHS:     At about six to eighteen months of age, a child begins to develop musculature. He needs to establish a balance between 'holding on and letting go.' The earliest muscle development focuses on crawling and then gaining balance when standing up and walking. This triggers the desire to roam and explore, and in order to roam and explore, the child needs to separate from his primary caregivers. The early exploratory stage is characterized by touching, tasting and examining the many fascinating aspects of the environment. Children lack coordination and knowledge. My grandson Jackson loved to dunk his head into the toilet at this stage. When he was stopped from doing something (like throwing his train into the TV) he hid his eyes. Six- to eighteen-month-olds are magical in their thinking. When Jackson hid his eyes, we disappeared. In his magical mind, if he couldn't see us, then we couldn't see him. Hiding the eyes is characteristic of shame because shame guards against overexposure. When we are exposed without any way to protect ourselves, we feel the pain of shame. If we are continually overexposed, shame becomes toxic. EIGHTEEN MONTHS TO THREE AND A HALF YEARS:     The psychologist Erik Erikson says that the psychosocial task at this stage of development is to strike a balance between autonomy and shame and doubt. This stage (eighteen months to three and a half years) has been called 'the terrible twos' because children begin to explore by touching, tasting and testing. Two-year-olds are in a counterdependent stage. They need to separate and are stubborn. They want to do it their way (always within eyesight of their caregiver). When two-year-olds are thwarted (like every three minutes), they have intense anger and temper tantrums. At this stage the child needs to take possession of things in order to test them by purposeful repetition. The world is brand new―sights, sounds and smells all have to be assimilated through repeated experience. THE CHILD'S NEEDS     This stage has also been referred to as 'second' or 'psychological' birth. The child is beginning to separate. Saying 'no' and 'it's mine' and throwing temper tantrums are the first testing of boundaries. What a child needs most is a firm but understanding caregiver, who in turn needs to have her own needs met through her spouse and her own resources. Such a caregiver needs to have resolved the issues in her own source relationships and needs to have a sense of self-responsibility. When this is the case, such a caregiver can be available to the child and provide what the child needs. No parent is perfect and none can do this perfectly. They simply need to be 'good enough.' MODELS     The child needs good modeling of healthy shame and other emotions. The child needs the caregiver's time and attention. Above all, the child needs the caregiver to model good boundaries. A child needs to have a caregiver available to set limits and express anger in a nonshaming way. Outer control must be firmly reassuring. Dr. Maria Montessori found that a 'prepared environment' takes the heat off the parents. The prepared environment is developmentally geared to the child's unique needs at each stage of development. These needs were called 'sensitive periods' by Dr. Montessori. The child needs to know that the interpersonal bridge will not be destroyed by his new urge for doing things his own way―his new urge toward autonomy. Erikson writes in Childhood and Society:       Firmness must protect him against the potential anarchy of his yet untrained sense of discrimination, his inability to hold on and to let go with discretion.       If a child can be protected by firm but compassionate limits, if he can explore, test and have tantrums without the caregiver's withdrawal of love, i.e., withdrawal of the interpersonal bridge, then the child can develop a healthy sense of shame. It may come as the child's embarrassment over his normal human failures, or as timidity and shyness in the presence of strangers, or as the beginning feeling of guilt as the child internalizes his parents' limits on excitement and pleasure. This sense of shame is crucial and necessary as a balance and limit for one's newfound autonomy. Healthy shame signals us that we are not omnipotent.     Our shyness is always with us as we encounter strangers or strange new experiences. The stranger, by definition, is one who is 'un-family-iar.' The stranger is not of our family. The stranger poses the threat of the unknown. Our shyness is our healthy shame in the presence of a stranger. Like all emotions, shyness signals us to be cautious, to take heed lest we be wounded or exposed. Shyness is a boundary that guards our inner core in the presence of the unfamiliar stranger.     Shyness can become a serious problem when it is rooted in toxic shame.SHAME AS GUILT     Healthy guilt is moral shame. The rules and limits children have experienced from their caregivers or from the environment are internalized and become an inner voice that guides and limits behavior. Guilt is the guardian of conscience, and children begin to form their conscience during the preschool period. SHAME AS EMBARRASSMENT AND BLUSHING     As preschool children grow older, they begin to explore their own ­bodies and their gender identity. Their healthy shame is the foundation for developing manners and a sense of modesty. A child's manners and modesty become a more sophisticated and complex guide that triggers shame as embarrassment and blushing. Preschool and school-age children become more social and have more occasion for unexpected exposure that leads to embarrassment and blushing.     In an embarrassing situation one is caught off guard―one is exposed when one is not ready to be exposed. One feels unable to cope with some situation in the presence of others. It may be an unexpected physical clumsiness, an interpersonal sensitivity or a breach of etiquette.     In such situations we experience the blush of healthy shame. Blushing manifests the exposure, the unexpectedness, the involuntary nature of shame.     In On Shame and the Search for Identity Helen Lynd writes, 'One's feeling is involuntarily exposed; one is uncovered.'     Blushing is the manifestation of our human limits. The ability to blush is a metaphor for our essentially limited humanity. With blushing comes the impulse to 'cover one's face,' 'bury one's face,' 'save face,' or 'sink into the ground.' With blushing we know we've made a mistake. Why would we have such a capacity if mistakes were not part of our essential nature? Blushing as a manifestation of healthy shame keeps us grounded. It reminds us of our core human boundary. It is a signal for us not to get ­carried away with our own excellence. SHAME AS THE SOURCE OF CREATIVITY AND LEARNING     I once did a workshop with Richard Bandler, one of the founders of NeuroLinguistic Programming (NLP). It was a very powerful experience. I've never forgotten one aspect of that experience. Richard asked us to think of a time in our lives when we knew we were right. After a few seconds, I remembered an incident with my former wife. He asked us to go over the experience in our memory. Then he asked us to make a movie of the experience: to divide it into acts and to run it as a film. Then he asked us to run the film backward. Then we were to run the acts out of sequence: the ­middle act first, the last act in the middle, etc. Then we were to run through the experience again as we had done it the first time. We were to pay exquisite attention to the details of the experience and to the feeling of rightness.     By the time I reran the experience, it no longer had the voltage it had the first time. In fact, I hardly felt anything of the initial intensity. Richard was introducing us to a form of internal remapping called submodality work. But that was not important for me. What was important for me was a statement Richard made about creativity. For me, the greatest human power is the creative power. HEALTHY INFERIORITY     Richard Bandler suggested that one of the major blocks to creativity was the feeling of knowing you are right. When we think we are absolutely right, we stop seeking new information. To be right is to be certain, and to be certain stops us from being curious. Curiosity and wonder are at the heart of all learning. Plato said that all philosophy begins in wonder. So the feeling of absolute certainty and righteousness causes us to stop seeking and learning.     Our healthy shame, which is a feeling of our core boundaries and limitedness, never allows us to believe we know it all. Our healthy shame is nourishing in that it moves us to seek new information and learn new things. Inferiority can be experienced as a healthy limit to our abilities. SHAME AS THE BASIC NEED FOR COMMUNITY―SOCIAL SHAME     There is an ancient proverb that states, 'One man is no man.' This saying underscores our basic human need for community, which underscores our need for relationships and social life. Not one of us could have made it without someone being there for us. Human beings need help. Not one of us is so strong that he does not need love, intimacy and dialogue in ­community.     We will need our parents for another decade before we are ready to leave home. We cannot get our needs met without depending on our primary caregivers. Our healthy feeling of shame is there to remind us that we often need help. No human being can make it alone. Even after we have achieved some sense of mastery, even when we are independent, we will still have needs. We will need to love and grow. We will need to care for another, and we will need to be needed. Our shame functions as a healthy signal that we need help, that we need to love and be in caring relationships with others.     Without the healthy signal of shame, we would not be in touch with our core dependency needs. SCHOOL AGE     Social shame emerges as the school-age child becomes aware of social difference and the culture's norms for beauty and success. Financial status, ethnicity, intelligence, popularity, physical appearance, athletic ability and talent all contribute to a person's sense of shame. Many of our cultural norms become occasions for toxic shame. But if children have a good, loving home with parents who model spiritual values, they can sift through the social garbage. PUBERTY―SEXUAL SHAME     As the sex drive fully emerges, the feeling of shame becomes more activated than at any other time in the life cycle. The initial experience of sexuality is one of awe and strangeness. Today we have lost what the ancients called the phallic and vaginal mysteries. Thomas Moore writes poignantly about the mystery of sexuality in his book The Soul of Sex. In our shameless culture, sex has been depersonalized. It has become a fact, not a sacred value. Parents need to model and teach an awe and reverence for their own and their children's sexuality. SHAME AS AN AFFECT AUXILLARY     In the new preface I mention that the foundation for this book is Silvan Tompkins's theory of the affect system and shame as an affect auxillary. This means that shame monitors excitement and pleasure. Nature has made the sexual experience the most exciting and pleasurable of all our experiences. Nature wants us to mate and procreate. Sex and shame go hand in hand because we need our sense of shame as a boundary for our sexual desires.     Adolescence is the time when the major biological transformation from child to adult is taking place. It is the time a person feels most exposed. Embarrassment is so excruciatingly painful in adolescence that teenagers are diligently on guard to protect themselves while projecting on others.     Belonging to the peer group is paramount. One's whole sense of identity is coming together in adolescence. If one has a good foundation prior to adolescence, the sense of self can be preliminarily defined. Identity is always social―one's sense of self needs to be matched by others: one's friends, teachers and parents. Adolescence is the time the brain (frontal lobes) is reaching full maturity. It is a time of ideals, of questioning and projecting into the future. An adolescent needs to have the discipline of mind the philosopher Thomas Aquinas called studiasitas. Studiasitas is a disciplined focus on studies and thinking, a kind of temperance of the mind. Its opposite is curiositas, a kind of mental wandering all over the place without limits.     Healthy shame at this stage is the source of good identity, a disciplined focus on the future and on studious limits in pursuing intellectual interests. LOVE (ATTACHMENT)     The power of the interpersonal bridge, along with a sense of identity, form the foundation for a healthy adult love relationship. A toxically shamed person is divided within himself and must create a false-self cover-up to hide his sense of being flawed and defective. You cannot offer yourself to another person if you do not know who you really are. CONNECTING BEHAVIOR     Having a secure attachment with one's source figures, and having developed a sense of self-worth, a person feels he is loveable and wants to love another. A securely attached person with a solid sense of self is ­capable of connecting with another in an intimate relationship. Intimacy requires vulnerability and a lack of defensiveness. Intimacy requires healthy shame.     Most people have a way to go in terms of developing intimacy and connecting skills when they get married or enter a long-term relationship. But the great thing about a committed relationship is that the relationship itself is a form of therapy. If both partners are committed, most of their differences can be worked out and even appreciated. Shame as the root feeling of humility allows each partner to appreciate and accept the other's foibles and idiosyncrasies. Knowing and accepting my own limitations allows me to accept my perceptions of my partner's limitations. Giving and receiving unconditional love is the most effective and powerful way to personal wholeness and happiness. CREATIVITY AND GENERATIVITY     It has been said that creative people see more in any given reality than others see. The more they have healthy shame as the core of humility and modesty, the more they know that what they know is a tiny fraction of what there is to know. A person with humility shame is open to new discovery and learning. When a person with curiosity and interest has discipline available to him, he has the right formula for creativity. The philosopher Nietzsche spoke of the creative act as involving both Dionysian and Apollonian elements. The Dionysian represents the passionate interest and desire to learn. The Apollonian represents the form and structure that must guide any truly creative act. Music is limited by the diatonic scale, and poetry is limited by words and the forms of poetic cadence. The world is full of people with good ideas and fantasies that never come to fruition because they don't have disciplined limits. GENERATIVITY     A person need not write music or poetry in order to be generative. Caring parents are generative; planting flowers and trees and caring for all life forms are generative behaviors. Being in a business that makes useful products that enhance the quality of life is generative work.     Toxically shamed people tend to become more and more stagnant as life goes on. They live in a guarded, secretive and defensive way. They try to be more than human (perfect and controlling) or less than human (losing interest in life or stagnated in some addictive behavior). SHAME IS AWE AND REVERENCE     Healthy shame is the source of awe and reverence when experiencing the immensity and mystery of life. Life is a mystery to be lived. Whether it be looking out at the immensity of space on a starry night, or experiencing the phallic and vaginal mysteries, or experiencing your own offspring being conceived, born and growing in their own unique way, or marveling at the mysteries of scientific discovery or the unexplained miracles that occur throughout our lives―all of this gives us pause and moves us to experience our own littleness in the face of the enormity of reality. SHAME AS THE NUMINOUS     Shame as awe and reverence leads directly to what the theologian Rudolf Otto called the idea of the holy. Otto studied the theophanies (the appearances of God) in all the sacred books of the world's religions. He defined the experience of holy God as the uncanny, and he called the uncanny a numinous experience, which he described as 'the mysterium tremendum et fascinans'―the mystery that attracts us with passionate fascination but which is fearful at the same time. Anyone who has nurtured healthy shame and experienced awe and reverence for the immensity of life must acknowledge the numinous. 'Woe to them who speak of God,' said St. Augustine, 'yet mute is even elegant.' We cannot experience our own finite limitations without questioning the meaning and purpose of life. And we cannot escape the common sense conclusion there are many higher powers that shape our lives. Many people call their higher power God. The great Lutheran theologian Paul Tillich suggested that because personal love and intimacy is the highest form of creaturely life, then the creator cannot be less than personal. SHAME AS THE SOURCE OF SPIRITUALITY     In The Farther Reaches of Human Nature, Abraham Maslow, the pioneering third force psychologist, once wrote:     The spiritual life is . . . part of the human essence. It is a defining characteristic of human nature . . . without which human nature is not full human nature.       Spirituality embraces the numinous (the holy). Spirituality has to do with an inner life of values and meaning. It also has to do with our ­finitude―our awe and reverence for the mysteries of life. Spirituality is about love, truth, goodness, beauty, giving and caring. Spirituality is about wholeness and completion. Spirituality is our ultimate human need. It pushes us to transcend ourselves and become grounded in the ultimate source of reality.     Our healthy shame is essential as the foundation of our spirituality. By reminding us of our essential limitations, our healthy shame lets us know that we are not God. Our healthy shame points us in the direction of some larger meaning. Our healthy shame is the psychological ground of our humility. ©2005. John Bradshaw. All rights reserved. Reprinted from Healing the Shame that Binds You. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the written permission of the publisher. Publisher: Health Communications, Inc., 3201 SW 15th Street, Deerfield Beach, FL 33442.

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Paperback: 316 pages

Publisher: HCI; Revised edition (October 15, 2005)

Language: English

ISBN-10: 0757303234

ISBN-13: 978-0757303234

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5.8 x 0.8 x 8 inches

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Ah. So It has a name. That feeling that follows us through years and years, that keeps eating at us and deteriorating our life. At first you double the efforts to keep on functioning and achieving ("put your back into it!"). Some achievements come with that. But you feel increasingly drained, fearful of disasters and failure (which can lead you smack into some of them btw), and just so gd tired. And weirdly empty, disconnected and phony even to yourself. Soooo.... bit by bit you keep on trying to quench that nagging dissatisfied thirst with... well, just plain more. More work. More "fun" (a world of problems here, none of them fun at all). More money. More shoes. And always thinking "when I get that new (i) car (ii) job (iii) promotion (iv) title (v) ring etc etc etc, I'll feel better. More serene and real. I'll find "my" place, where I "belong"".One therapist once told me that this sounded like "when I grow up...". I never forgot that.This book is important. To me, it was an absolute revelation.If you identify with anything I wrote above, check this book out. It brings an almost immediate feeling of relief. What happens after the first eureka moment is up to each one of us and our individual stories. But, as a group, it's like realizing your symptons are documented and part of a disease that afflicts a lot of people and not just you - and which CAN be treated; which has nothing to do with your real identity.And that place? Where we belong? It's right there inside each of us, patiently waiting for us to come back. I'm trying to find my own way back, and this book was the most precise and clearest "guide" I found so far. For the first time in my life, I feel like I'm on my way. Using the right road and all. At the right pace.I do wish I had come across this before. But then again, time and place for everything, right?

My second time around for this one--a little less challenging this time, but so very appropriate and the beginning of healing--and I am an old (81) lady now. Much of my shame was self-imposed, not following my own moral/ethical rules and shaming my self.

Bradshaw writes a compelling book on the inner tormentor that has poisoned and ruled so many of our lives.From a genuine and soul-affirming account of the author's own personal childhood shaming trauma, to treatises on how shame develops psychologically, to chapters of how to combat and console wounded characters, to a (too) brief treatise on the numinous and spiritual, Bradshaw covers nicely the various facets of what it means to be shamed toxically, and how to recover and even thrive.Whether for personal self-help, or to learn perhaps academically on the topic, or even as an aide to therapists and their ilk, I highly recommend this book as an eye-opener on this "daimonic" (all-encompassing) facet of life.

this is a fantastic book about problems we experience with anxiety, self-esteem, and how we see ourselves and the world. learned a lot about myself in time of crises!!

Bradshaw's book is a fantastic one, second only to Alice Miller's book, "Prisoners of Childhood". When I realized that this was the same person who was on public television talking about healing the child within, I knew that I had to read this book. I could so relate to his stories about shame that the book made me want to cry. Anyone who is struggling with an addiction from alcohol, drugs, sex, food will be able to relate to this book. I am dealing now with a husband who is overly critical and I was searching for ways to deal with his difficult behaviours. I photocopied Bradshaw's seven tips for dealing with critical people. He states that these people are really shame based and deal with their own shame by shaming and judging others. This makes perfect sense to me. I used one of his strategies one time when my husband blew his top and started being negative and critical of me. I decided to use the "cofusing strategy" which involves using a word that you make up to throw your critic off the track and confuse them so they do not know how to respond. Instead of reacting in anger to his negative remarks, I replied calmly, " How perspicacious of you dear to understand me so well! He looked confounded and confused and then, with a defeated look on his face, he admitted, " You always use these big words that I don't understand." Ha, ha! I managed to avoid an argument because he didn't know whether he'd been complimented or insulted! It put me back in control!

I love John Bradshaw's book on recovery. I have many of them. They helped a lot during my recovery from childhood. I recommend this book to all my friends.

Re-reading this knowing what I know, I feel frustrated at this book. While I think there are quite a few insights especially those who have a history of child abuse, this book heavily clings on this the idea that shame is the problem. And it is this toxic shame that needs to turn into healthy shame in order for things to get better. It seems to do that through using CBT methods where if changing thoughts will help change behavior. The author also seems heavily influenced by the 12 step method.Personally, I feel the author is too bias with 1. his personal experience using the 12 step program and 2. this sense of shame as the core reason. Instead, I urge people who are thinking of buying this book to instead do their own reach on CPTSD and DTD (developmental trauma disorder). I believe a lot of child abuse problems in adults is fuel through the fight/flight/freeze system and through working on the trauma side, will be far more beneficial.

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